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PART ONE - Building a Musical Vocabulary: Basic Elements of Pitch and Rhythm |
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Chapter 1 - Pitch and Pitch Class |
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Chapter 2 - Beat, Meter, and Rhythm: Simple Meters |
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Chapter 3 - Pitch Collections, Scales, and Major Keys |
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Chapter 4 - Minor Keys and the Diatonic Modes |
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Chapter 5 - Beat, Meter, and Rhythm: Compound Meters |
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Chapter 6 - Pitch Intervals |
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Chapter 7 - Triads and Seventh Chords |
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PART TWO - Linking Musical Elements in Time |
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Chapter 8 - Intervals in Action (Two-Voice Composition) |
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Chapter 9 - Melodic and Rhythmic Embellishment in Two-Voice Composition |
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Chapter 10 - Notation and Scoring |
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Chapter 11 - Voicing Chords in Multiple Parts: Instrumentation |
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PART THREE - The Phrase Model |
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Chapter 12 - The Basic Phrase Model: Tonic and Dominant Voice-Leading |
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Chapter 13 - Embellishing Tones |
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Chapter 14 - Chorale Harmonization and Figured Bass |
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Chapter 15 - Chords |
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Chapter 16 - Further Expansions of the Basic Phrase: Tonic Expansions, Root Progressions, and the Mediant Triad |
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Chapter 17 - The Interaction of Melody and Harmony: More on Cadence, Phrase, and Melody |
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Chapter 18 - Diatonic Sequences |
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Chapter 19 - Intensifying the Dominant: Secondary Dominants and Secondary Leading-Tone Chords; New Voice-Leading Chords |
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Chapter 20 - Phrase Rhythm and Motivic Analysis |
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PART FOUR - Further Expansion of the Harmonic Vocabulary |
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Chapter 21 - Tonicizing Scale Degrees Other Than V |
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Chapter 22 - Modulation to Closely Related Keys |
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Chapter 23 - Binary and Ternary Forms |
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Chapter 24 - Color and Drama in Composition: Modal Mixture and Chromatic Mediants and Submediants |
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Chapter 25 - Chromatic Approaches to V: The Neapolitan Sixth and Augmented Sixths |
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PART FIVE - Musical Form and Interpretation |
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Chapter 26 - Popular Song and Art Song |
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Chapter 27 - Variation and Rondo |
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Chapter 28 - Sonata-Form Movements |
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Chapter 29 - Chromaticism |
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PART SIX - Into the Twentieth Century |
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Chapter 30 - Modes, Scales, and Sets |
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Chapter 31 - Music Analysis with Sets |
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Chapter 32 - Sets and Set Classes |
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Chapter 33 - Ordered Segments and Serialism |
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Chapter 34 - Twelve-Tone Rows and the Row Matrix |
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Chapter 35 - New Ways to Organize Rhythm, Meter, and Duration |
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Chapter 36 - New Ways to Articulate Musical Form |
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Chapter 37 - The Composer’s Materials Today |
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