Chapter 12
Chapter 12: Opera and Vocal Music in the Late Seventeenth Century
Listening Selections
The following works are covered in this textbook chapter. Note the selections available for streaming, below. You will need to login or activate your registration code in order to access the available works.
Additional selections are also available.
nawm selection |
nawm title |
51 |
Antonio Cesti: E che si fa? from Orontea, Act II, recitative |
90 |
Alessandro Scarlatti: In volver ciò che tu brami, from Griselda, aria |
89a |
Alessandro Scarlatti: Vivo, vivo penando and Sì, ben mio, sì, from Clori vezzosa, e bella, cantata (Available on CDs only) |
89b |
Alessandro Scarlatti: Vivo, vivo penando and Sì, ben mio, sì, from Clori vezzosa, e bella, cantata (Available on CDs only) |
82a |
Jean-Baptiste Lully: Overture and Act II, Scene 5, Enfin il est en ma puissance, from Armide, tragédie lyrique |
82b |
Jean-Baptiste Lully: Overture and Act II, Scene 5, Enfin il est en ma puissance, from Armide, tragédie lyrique |
83 |
Jean-Baptiste Lully: In te Domine speravi, from Te Deum, grand motet |
86b |
Henry Purcell: Thy hand, Belinda; When I am laid in earth; and With drooping wings, from Dido and Aeneas |
86a |
Henry Purcell: Thy hand, Belinda; When I am laid in earth; and With drooping wings, from Dido and Aeneas |
86c |
Henry Purcell: Thy hand, Belinda; When I am laid in earth; and With drooping wings, from Dido and Aeneas |