var nc =  13,
fc = new Array(nc);
fc[0] = {t:"contrast",d:"The use of opposing musical elements to emphasize difference and variety. (page 26)"};
fc[1] = {t:"strophic form",d:"Song structure in which the same music is repeated with every <i>stanza</i> (<i>strophe</i>) of the poem. (page 26)"};
fc[2] = {t:"through-composed",d:"Song structure that is composed from beginning to end, without repetitions of large sections. (page 26)"};
fc[3] = {t:"variation",d:"The compositional procedure of altering a preexisting musical idea. See also <i>theme and variations.</i> (page 26)"};
fc[4] = {t:"improvisation",d:"The creation of music while it is being performed, as in Baroque <i>embellishment, cadenzas</i> of <i>concertos, jazz,</i> and some non-Western musics. (page 27)"};
fc[5] = {t:"ternary form",d:"Three-part (<b>A-B-A</b>) form based on a statement (A), contrast (B), and repetition (A). Also three-part form. (page 27)"};
fc[6] = {t:"theme",d:"Melodic idea used as a basic building block in the construction of a piece. Also <i>subject.</i> (page 27)"};
fc[7] = {t:"thematic development",d:"Musical expansion of a <i>theme</i> by varying its melodic outline, <i>harmony,</i> or <i>rhythm.</i> See also <i>thematic transformation.</i> (page 27)"};
fc[8] = {t:"sequence",d:"Restatement of an idea or <i>motive</i> at a different pitch level. (page 28)"};
fc[9] = {t:"motive",d:"Short melodic or rhythmic idea; the smallest fragment of a <i>theme</i> that forms a melodic-harmonic-rhythmic unit. (page 28)"};
fc[10] = {t:"call and response",d:"Performance style with a singing leader who is imitated by a <i>chorus</i> of followers. Also <i>responsorial singing.</i> (page 29)"};
fc[11] = {t:"ostinato",d:"A short melodic, rhythmic, or harmonic pattern that is repeated throughout a work or a section. (page 29)"};
fc[12] = {t:"movement",d:"Complete, self-contained part within a larger musical work. (page 29)"};