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Chapter 1: The Making of the Middle Ages

Barrett, Sam. “Performing Medieval Music.” Journal of the Royal Music Association 130, no. 1 (2005): 119–35. www.jstor.org/stable/3557459

Biddick, Kathleen. “Translating the Foreskin.” In Queering the Middle Ages, ed. Glenn Burger and Steven F. Kruger, 193–212. Medieval Cultures 27. Minneapolis: University of Minnesota Press, 2001. www.worldcat.org/title/queering-the-middle-ages/oclc/463990257

Courtney, Paul. “The Tyranny of Constructs: Some Thoughts on Periodisation and Change.” In The Age of Transition: The Archaeology of English Culture, 1400–1600, ed. David Gaimster and Paul Stamper. Society for Medieval Archaeology 15. Oxford: Oxbow Books, 1997. www.worldcat.org/title/age-of-transition-the-archaeology-of-english-culture-1400-1600/oclc/39078204

Crocker, Richard L., and David Hiley, eds. The New Oxford History of Music. Vol. 2, The Early Middle Ages to 1300. Oxford and New York: Oxford University Press, 1990. www.worldcat.org/title/new-oxford-history-of-music-vol-2-the-early-middle-ages-to-1300/oclc/502220030

Davis, Kathleen. Periodization and Sovereignty: How Ideas of Feudalism and Secularization Govern the Politics of Time. Middle Ages series. Philadelphia: University of Pennsylvania Press, 2008. www.worldcat.org/title/periodization-and-sovereignty-how-ideas-of-feudalism-and-secularization-govern-the-politics-of-time/oclc/183261811

Duffin, Ross W., ed. A Performer’s Guide to Medieval Music. Performer’s Guides to Early Music. Bloomington: Indiana University Press, 2000. www.worldcat.org/title/performers-guide-to-medieval-music/oclc/44267795

Everist, Mark, ed. The Cambridge Companion to Medieval Music. Cambridge Companions to Music. Cambridge and New York: Cambridge University Press, 2011. www.worldcat.org/title/cambridge-companion-to-medieval-music/oclc/614990227

Fassler, Margot E. “The Liturgical Framework of Time and the Representation of History.” In Representing History, 900–1300: Art, Music, History, ed. Robert A. Maxwell, 149­–71. University Park: Pennsylvania State University Press, 2010. www.worldcat.org/title/representing-history-900-1300-art-music-history/oclc/468233282

Haines, John. Eight Centuries of Troubadours and Trouvères: The Changing Identity of Medieval Music. Cambridge and New York: Cambridge University Press, 2004. www.worldcat.org/title/eight-centuries-of-troubadours-and-trouveres-the-changing-identity-of-medieval-music/oclc/53822457

Hoppin, Richard H. Medieval Music. Norton Introduction to Music History. New York: Norton, 1978. www.worldcat.org/title/medieval-music/oclc/3843431

Kreutziger-Herr, Annette. “Imagining Medieval Music: A Short History.” In Correspondences: Medievalism in Scholarship and the Arts, ed. Tom Shippey and Martin Arnold, 81–109. Studies in Medievalism 14. Cambridge: D. S. Brewer, 2005. www.worldcat.org/title/correspondences-medievalism-in-scholarship-and-the-arts/oclc/60419028

Meconi, Honey. Medieval Music. Library of Essays on Music Performance Practice. Burlington, VT: Ashgate, 2011. www.worldcat.org/title/medieval-music/oclc/704526132

Reese, Gustave. Music in the Middle Ages: With an Introduction on the Music of Ancient Times. New York: Norton, 1940. www.worldcat.org/title/music-in-the-middle-ages-with-an-introduction-on-the-music-of-ancient-times/oclc/398158

Skinner, Patricia. “Confronting the ‘Medieval’ in Medieval History: The Jewish Example.” Past & Present 181 (November 2003): 219–47. www.worldcat.org/title/confronting-the-medieval-in-medieval-history-the-jewish-example/oclc/4892701583

Strohm, Reinhard, and Bonnie Blackburn, eds. Music as Concept and Practice in the Late Middle Ages. The New Oxford History of Music, vol. 3, part 1. Oxford: Oxford University Press, 2001. www.worldcat.org/title/music-as-concept-and-practice-in-the-late-middle-ages/oclc/46909221

Warren, Joyce W., and Margaret Dickie, eds. Challenging Boundaries: Gender and Periodization. Athens, GA, and London: University of Georgia Press, 2000. www.worldcat.org/title/challenging-boundaries-gender-and-periodization/oclc/41488664

Yudkin, Jeremy. Music in Medieval Europe. Prentice-Hall History of Music. Englewood Cliffs, NJ: Prentice Hall, 1989. www.worldcat.org/title/music-in-medieval-europe/oclc/18963255

Chapter 2: The Foundations of the Western Middle Ages: Music and Music Theory in the Late Roman Empire

Aurelius Augustinus. De musica liber VI. Critical edition with a translation and an introduction by Martin Jacobsson. Stockholm: Almqvist & Wiksell International, 2002. www.worldcat.org/title/aurelius-augustinus-de-musica-liber-vi-a-critical-edition-with-a-translation-and-an-introduction/oclc/53919948

Burns, Paul C.. “Augustine’s Distinctive Use of the Psalms in the Confessions: The Role of Music and Recitation.” Augustinian Studies 24 (1993): 133–46; repr. in Forms of Devotion: Conversion, Worship, Spirituality, and Asceticism, ed. Everett Ferguson, 157–70. Recent Studies in Early Christianity 5. New York: Garland, 1999. www.worldcat.org/title/forms-of-devotion-conversion-worship-spirituality-and-asceticism/oclc/41070937

Chamberlain, David. “Philosophy of Music in the Consolatio of Boethius.” Speculum 45 (January 1970): 80–97. www.worldcat.org/title/philosophy-of-music-in-the-consolatio-of-boethius/oclc/4890601054

Hentschel, Frank. “The Sensuous Music Aesthetics of the Middle Ages: The Cases of Augustine, Jacques de Liège and Guido of Arezzo.” Plainsong and Medieval Music 20, no. 1 (2011): 1–29. www.worldcat.org/title/the-sensuous-music-aesthetics-of-the-middle-ages-the-cases-of-augustine-jacques-de-lige-and-guido-of-arezzo/oclc/4795883977

Hochschild, Paige E. Memory in Augustine’s Theological Anthropology. Oxford Early Christian Studies. Oxford: Oxford University Press, 2012. www.worldcat.org/title/memory-in-augustines-theological-anthropology/oclc/742512022

James, Edward. “The Rise and Function of the Concept ‘Late Antiquity.’” Journal of Late Antiquity 1, no. 1 (2008): 20–30. www.worldcat.org/title/the-rise-and-function-of-the-concept-late-antiquity/oclc/424630911&referer=brief_results

Jeffery, Peter. “Rome and Jerusalem: From Oral Tradition to Written Repertory in Two Ancient Liturgical Centers.” In Essays on Medieval Music in Honor of David G. Hughes, ed. Graeme Boone, 207–47. Isham Library Papers 4. Cambridge, MA: Harvard University Department of Music, 1995). www.worldcat.org/title/rome-and-jerusalem-from-oral-tradition-to-written-repertory-in-two-ancient-liturgical-centers/oclc/605504709

Lauxtermann, Marc D. “Medieval Latin and Byzantine Accentual Metrics.” In Poesia dell’ alto medioevo europeo: manuscritti, lingua e musica dei ritmi latini, ed. Francesco Stella, 107–17. Florence: SISMEL edizioni del Galluzzo, 2000. www.worldcat.org/title/medieval-latin-and-byzantine-accentual-metrics/oclc/611007862

Martyn, John. “Gregory the Great: On Organs and on Equipping Monasteries.” Medievalia et Humanistica 30 (2004): 107–13. www.worldcat.org/title/gregory-the-great-on-organ-lessons-and-on-equipping-monasteries/oclc/107848880

McKinnon, James, ed. Music in Early Christian Literature. Cambridge Readings in the Literature of Music. Cambridge: Cambridge University Press, 1987. www.worldcat.org/title/music-in-early-christian-literature/oclc/246881630

Norberg, Dag. An Introduction to the Study of Medieval Latin Versification, trans. Grant C. Roti and Jacqueline de la Chapelle Skubly, ed. Jan Ziolkowski. Washington, DC: Catholic University of America Press, 2004. www.worldcat.org/title/introduction-to-the-study-of-medieval-latin-versification/oclc/50096819

Philippart, Guy, with Michel Trigalet. “Latin Hagiography before the Ninth Century: A Synoptic View.” In The Long Morning of Medieval Europe: New Directions in Early Medieval Studies, ed. Jennifer R. Davis and Michael McCormick, 111–29. Burlington, VT: Ashgate, 2008. www.worldcat.org/title/long-morning-of-medieval-europe-new-directions-in-early-medieval-studies/oclc/141852734

Sullivan, Blair. “The Unwritable Sound of Music: The Origins and Implications of Isidore’s Memorial Metaphor.” In The Echo of Music: Essays in Honor of Marie Louise Göllner, 39–54. Detroit Monographs in Musicology 39. Warren, MI.: Harmonie Park Press, 2004. http://www.worldcat.org/oclc/53953747

Verhelst, Stéphane. “The Liturgy of Jerusalem in the Byzantine Period.” In Christians and Christianity in the Holy Land: From the Origins to the Latin Kingdoms, ed. Ora Limor and Guy G. Strousma, 421–26. Cultural Encounters in Late Antiquity and the Middle Ages 5. Turnhout: Brepols, 2006. www.worldcat.org/title/christians-and-christianity-in-the-holy-land-from-the-origins-to-the-latin-kingdoms/oclc/64749181

Wright, Roger. “Rhythmic Poetry and the Author’s Vernacular.” In Poetry of Early Medieval Europe: Manuscripts, Language and Music of the Rhythmical Latin Texts; III Euroconference for the Digital Edition of the “Corpus of Latin Rhythmical Texts 4th–9th Century,” ed. Edoardo D’Angelo and Francesco Stella, 343–55. Florence: SISMEL edizioni del Galluzzo, 2003. www.worldcat.org/title/poetry-of-the-early-medieval-europe-manuscripts-language-and-music-of-the-rhythmical-latin-texts-iii-euroconference-for-the-digital-edition-of-the-corpus-of-latin-rhythmical-texts-4th-9th-century-corpus-dei-ritmi-latini-secoli-iv-ix-2/oclc/249487695

Chapter 3: Chant and the Carolingians

Apel, Willi. Gregorian Chant. Bloomington: Indiana University Press, 1958. www.worldcat.org/title/gregorian-chant/oclc/608792

Cardine, Eugène. Gregorian Semiology, trans. Robert M. Fowels. Sablé-sur-Sarthe: Solesmes, 1982 (original published in French, 1970). www.worldcat.org/title/gregorian-semiology/oclc/17208307

Fassler, Margot. Review of The Christian West and Its Singers: The First One Thousand Years, by Christopher Page, Plainsong and Medieval Music 21, no. 2 (2012): 201–15. http://www.worldcat.org/title/christopher-page-the-christian-west-and-its-singers-the-first-thousand-years-new-haven-and-london-yale-university-press-2010-xxiii692-pp-35-isbn-978-0-300-11257-3/oclc/4907357253

Gallagher, Sean, James Haar, John Nádas, and Timothy Striplin, eds. Western Plainchant in the First Millennium: Studies in the Medieval Liturgy and Its Music. Aldershot, Hants, and Burlington, VT: Ashgate, 2003. www.worldcat.org/title/western-plainchant-in-the-first-millennium-studies-in-the-medieval-liturgy-and-its-music/oclc/470407214

Hankeln, Roman, ed. The Offertory and Its Verses: Research, Past, Present and Future. Proceedings of an International Symposium at the Centre for Medieval Studies, Trondheim, 25 and 26 September 2004. Trondheim: Tapir, 2007. www.worldcat.org/title/offertory-and-its-verses-research-past-present-and-future-proceedings-of-an-international-symposium-at-the-centre-for-medieval-studies-trondheim-25-and-26-september-2004/oclc/605276369

Hornby, Emma. “The Transmission of Western Chant in the 8th and 9th Centuries: Evaluating Kenneth Levy’s Reading of the Evidence.” Journal of Musicology 21, no. 3  (Summer 2004): 418–57. www.worldcat.org/title/the-transmission-of-western-chant-in-the-8th-and-9th-centuries-evaluating-kenneth-levys-reading-of-the-evidence/oclc/4635003312

Kelly, Thomas Forrest. Chant and Its Origins. Farnham, Surrey: Ashgate, 2009. www.worldcat.org/title/chant-and-its-origins/oclc/243821437

———. The Practice of Medieval Music: Studies in Chant and Performance. Variorum Collected Studies. Farnham, Surrey, and Burlington, VT: Ashgate, 2010. www.worldcat.org/title/practice-of-medieval-music-studies-in-chant-and-performance/oclc/837667212

Levy, Kenneth. “Gregorian Chant and the Romans.” Journal of the American Musicological Society 56, no. 1 (Spring 2003): 5–41. www.jstor.org/stable/10.1525/jams.2003.56.1.5

Maloy, Rebecca. “The Word-Music Relationship in the Gregorian and Old Roman Offertories.” Studia Musicologica 45 (2004): 131–48. www.worldcat.org/title/the-word-music-relationship-in-the-gregorian-and-old-roman-offertories/oclc/4893531934

McKitterick, Rosamond. Perceptions of the Past in the Early Middle Ages. Conway Lectures in Medieval Studies. Notre Dame, IN: University of Notre Dame Press, 2006. www.worldcat.org/title/perceptions-of-the-past-in-the-early-middle-ages/oclc/70676575

Nardini, Luisa. “Aliens in Disguise: Byzantine and Gallican Chants in the Latin Liturgy.” Plainsong and Medieval Music 16 (October 2007): 145–72. www.worldcat.org/title/aliens-in-disguise-byzantine-and-gallican-chants-in-the-latin-liturgy/oclc/4668892893

Page, Christopher. “Freedom of Movement and the Rise of European Music in the Early Middle Ages.” In Freedom of Movement in the Middle Ages: Proceedings of the 2003 Harlaxton Symposium, ed. Peregrine Horden, 1–18. Harlaxton Medieval Studies 15. Donington: Shaun Tyas, 2007. www.worldcat.org/title/freedom-of-movement-in-the-middle-ages-proceedings-of-the-2003-harlaxton-symposium/oclc/173080224

Peattie, Matthew. “Transcribing the Beneventan Chant.” Plainsong and Medieval Music 19, no. 2 (October 2010): 139–67. www.worldcat.org/title/transcribing-thebeneventan-chant/oclc/4668892941

Petersen, Nils Holger. “Carolingian Music, Ritual, and Theology.” In The Appearances of Medieval Rituals: The Play of Construction and Modification, ed. Nils Holger Petersen et al., 13–31. Turnhout: Brepols, 2004. www.worldcat.org/title/appearances-of-medieval-rituals-the-play-of-construction-and-modification/oclc/56963985

Planchart, Alejandro. “The Opening Chant at Easter in the Latin West.” In “Et facciam dolci canti”: Studi in onore di Agostino Ziino in occasione del suo 65o compleanno, ed. Theresa Maria Giadroni et al., 61–96. Lucca: LIM, 2003. www.worldcat.org/title/et-facciam-dolci-canti-studi-in-onore-di-agostino-ziino-in-occasione-del-suo-65-compleanno/oclc/56893354

Rankin, Susan. “On the Treatment of Pitch in Early Music Writing.” Early Music History 30 (2011): 105–75. www.worldcat.org/title/on-the-treatment-of-pitch-in-early-music-writing/oclc/4804314533

Chapter 4: The Office, the Mass Ordinary, and Varied Practices of Troping

Arlt, Wulf, and Susan Rankin, eds. Stiftsbibliothek Sankt Gallen Codices 484 & 381 / kommentiert und in Faksimile. Wintherthur, Zurich: Amadeus Verlag; New York: OMI [distributor], 1996. www.worldcat.org/title/stiftsbibliothek-sankt-gallen-codices-484-381/oclc/468261029

Berschin, Walter. “Early Medieval Latin Poetry of Mary.” In The Church and Mary: Papers Read at the 2001 Summer Meeting and the 2002 Winter Meeting of the Ecclesiastical History Society, ed. R. N. Swanson, 112–25. Studies in Church History 39. Woodbridge, Suffolk, and Rochester, NY: Boydell Press, 2004. www.worldcat.org/title/church-and-mary-papers-read-at-the-2001-summer-meeting-and-the-2002-winter-meeting-of-the-ecclesiastical-history-society/oclc/56329090

Billett, Jesse. “The Liturgy of the ‘Roman’ Office in England from the Conversion to the Conquest.” In Rome across Time and Space: Cultural Transmission and the Exchange of Ideas c. 500–1400, ed. Claudia Bolgia et al., 84–110. Cambridge: Cambridge University Press, 2011. www.worldcat.org/title/rome-across-time-and-space-c-500-1400-cultural-transmission-and-the-exchange-of-ideas/oclc/694172157

Björkvall, Gunilla, and Andreas Haug. “Performing Latin Verse: Text and Music in Early Medieval Versified Offices.” In The Divine Office in the Latin Middle Ages: Methodology and Source Studies, Regional Developments, Hagiography, ed. Margot Fassler and Rebecca A. Baltzer, 278–99. Oxford: Oxford University Press, 2000. www.worldcat.org/title/divine-office-in-the-latin-middle-ages-methodology-and-source-studies-regional-developments-hagiography-written-in-honor-of-professor-ruth-steiner/oclc/40805499

Boe, John. “Gloria A and the Roman Easter Vigil Ordinary.” Musica Disciplina 36, (1982): 5–37. www.worldcat.org/title/gloria-a-and-the-roman-easter-vigil-ordinary/oclc/4897229064

Colette, Marie-Noël, ed. Tropaire séquentiaire prosaire prosulaire de Moissac. Paris, Bibl. Nationale, nouv. acq. lat. 1871. Publications de la Société française de musicologie I/27. Paris, 2006. www.worldcat.org/title/tropaire-sequentiaire-prosaire-prosulaire-de-moissac-troisieme-quart-du-xie-siecle-manuscrit-paris-bibliotheque-nationale-de-france-nal-1871/oclc/77110153

Corpus troporum. Editions of trope texts, with commentaries, now in over ten volumes, and published in Stockholm by a team of editors including Gunilla Björkvall, Gunilla Iversen, and Ritva Jacobsson. www.worldcat.org/title/corpus-troporum/oclc/605329613

Dobszay, László. “Antiphon Variants and Chant Transmissions.” Studia Musicologia 45 (2004): 67–93. www.worldcat.org/title/antiphon-variants-and-chant-transmission/oclc/4909462224

Dyer, Joseph. “The Singing of Psalms in the Early-Medieval Office.” Speculum 64, no. 3 (July 1989): 535–78. www.jstor.org/stable/2854183

Fassler, Margot. “Filming the Nuns of Regina Laudis: Old and New Evidence for Monastic Studies.” Religion Compass 4, no. 6 (2010): 340–52. www.worldcat.org/title/filming-the-nuns-of-regina-laudis-old-and-new-evidence-for-monastic-studies/oclc/642267218

———. “Mary’s Nativity, Fulbert of Chartres, and the Stirps Jesse: Liturgical Innovation circa 1000 and Its Afterlife.” Speculum 75, no. 2 (April 2000): 389–434. http://www.jstor.org/stable/2887583

Goudesenne, Jean-François. “A typology of historiae in West Francia (8–10 c.)” Plainsong and Medieval Music 13, no. 1 (2004): 1–31. www.worldcat.org/title/a-typology-of-historiae-in-west-francia-8-10-c/oclc/362877516

Helms, Mary W. “Sacred Landscape and the Early Medieval European Cloister: Unity, Paradise, and the Cosmic Mountain.” Anthropos 97 (2002): 435–53. www.jstor.org/stable/40466044

Hughes, David G. “The Paschal Alleluia in Medieval France.” Plainsong and Medieval Music 14, no. 1 (2005): 11–57. www.worldcat.org/title/the-paschal-alleluia-in-medieval-france/oclc/363034855

Pfisterer, Andreas. “Italian and Gallican Alleluia Psalmody.” Plainsong and Medieval Music 17, no. 1 (2008): 55–68. www.worldcat.org/title/italian-and-gallican-alleluia-psalmody/oclc/4668892903

Steiner, Ruth. “Hartker’s Antiphoner and the Oral Tradition of Chant at St. Gall.” In
Sangallensia in Washington: The Arts and Letters of Medieval St. Gall Viewed from the Late Twentieth Century, ed. James Cecil King, 199–212. New York: Peter Lang, 1993. www.worldcat.org/title/sangallensia-in-washington-the-arts-and-letters-in-medieval-and-baroque-st-gall-viewed-from-the-late-twentieth-century/oclc/26853444

Chapter 5: Sound and Spaces, Theory and Practice in the Eleventh Century

Arlt, Wulf. “Sequence and ‘Neues Lied.’” In La Sequenza medievale: atti del convegno internazionale, Milano, 7–8 aprile 1984, ed. Agostino Ziino, 2–18. Lucca: Libreria Musicale Italiana, 1992. www.worldcat.org/title/sequence-and-neues-lied/oclc/605489324

Björkvall, Gunilla, and Andreas Haug. “Sequence and Versus: On the History of Rhythmical Poetry in the Eleventh Century.” In Latin Culture in the Eleventh Century: Proceedings of the Third International Conference on Medieval Latin Studies Cambridge, September 9–12, 1998. ed. Michael W. Herren et al., 57–82. Publications of the Journal of Medieval Latin 5, vol. 1. Turnhout: Brepols, 2002. www.worldcat.org/title/latin-culture-in-the-eleventh-century-1/oclc/615525376

Boynton, Susan. “Liturgy and History at the Abbey of Farfa in the Late Eleventh Century: Hymns of Peter Damian and Other Additions to BAV Chigi C.VI.177.” Sacris Erudiri 39, no. 1 (2000): 317–44. www.worldcat.org/title/liturgy-and-history-at-the-abbey-of-farfa-in-the-late-eleventh-century-hymns-of-peter-damian-and-other-additions-to-bav-chigi-cvi177/oclc/4815913188

Boynton, Susan, and Margot Fassler. “The Language, Form, and Performance: The Latin Texts of Monophonic Liturgical Chants.” In the Oxford Handbook of Medieval Latin Literature, ed. Ralph Hexter and David Townsend, 686–730. Oxford: Oxford University Press, 2012. www.worldcat.org/title/oxford-handbook-of-medieval-latin-literature/oclc/768493241

Boynton, Susan, and Eric Rice, eds. Young Choristers, 650–1700. Studies in Medieval and Renaissance Music 7. Woodbridge, Suffolk, and Rochester, NY: Boydell, 2008. www.worldcat.org/title/young-choristers-650-1700/oclc/213307987

Currie, Gabriela Ilnitchi. The Play of Meanings: Aribo’s De musica and the Hermeneutics of Musical Thought. Lanham, MD : Scarecrow Press, 2005. www.worldcat.org/title/play-of-meanings-aribos-de-musica-and-the-hermeneutics-of-musical-thought/oclc/58595086

Fredell, Joel. “The Three Clerks and St. Nicholas in Medieval England.” Studies in Philology 92, no. 2 (Spring 1995): 181–202. www.jstor.org/stable/4174513

Geary, Patrick J. Women at the Beginning: Origin Myths from the Amazons to the Virgin Mary. Princeton, NJ : Princeton University Press, 2006. www.worldcat.org/title/women-at-the-beginning-origin-myths-from-the-amazons-to-the-virgin-mary/oclc/60373756

Green, Edward. “What Is Chapter 17 of Guido’s Micrologus About? A Proposal for a New Answer.” International Review of the Aesthetics and Sociology of Music 38, no. 2  (December 2007): 143–70. : www.jstor.org/stable/25487523

Hiley, David. “The Office Chants for St. Oswald, King of Northumbria and Martyr.” In A due: Musical essays in Honour of John D. Bergsagel and Heinrich W. Schwab, ed. Ole Kongsted et al., 244–59. Copenhagen: University of Copenhagen, 2008. www.worldcat.org/title/a-due-musical-essays-in-honour-of-john-d-bergsagel-heinrich-w-schwab-musikalische-aufsatze-zu-ehren-von-john-d-bergsagel-heinrich-w-schwab/oclc/232583104

Iversen, Gunilla. Laus Angelica: Poetry in the Medieval Mass, ed. Jane Flynn, trans. William Flynn. Medieval Church Studies 5. Turnhout: Brepols, 2010 (originally published in French, 2001). www.worldcat.org/title/laus-angelica-poetry-in-the-medieval-mass/oclc/656550247

Kroll, Norma. “Power and Conflict in Medieval Ritual and Plays: The Re-Invention of Drama.” Studies in Philology 102, no. 4 (Autumn 2005): 452–83. www.jstor.org/stable/4174831

Kruckenberg, Lori. “The Sequence from 1050–1150 [sic]: Study of a Genre in Change.” PhD diss., University of Iowa, 1997. www.worldcat.org/title/sequence-from-1050-1150-study-of-a-genre-in-change/oclc/40294358

Mengozzi, Stefano. “Virtual Segments: The Hexachordal System in the Late Middle Ages.” Journal of Musicology 23, no. 3 (Summer 2006): 426–67. www.jstor.org/stable/10.1525/jm.2006.23.3.426

Seidel, Linda. “Rethinking ‘Romanesque’; Re-Engaging Roman[z].” Gesta 45, no. 2 (2006): 109–23. www.jstor.org/stable/25067135

Tinkle, Theresa. “Exegesis Reconsidered: The Fleury ‘Slaughter of Innocents’ and the Myth of Ritual Murder.” Journal of English and Germanic Philology 102, no. 2 (April 2003): 211–43. www.jstor.org/stable/27712332

Chapter 6: Conquest, Changing Tastes, and Pilgrimage in the Twelfth Century

Ashley, Kathleen, and Marilyn Deegan. Being a Pilgrim: Art and Ritual on the Medieval Routes to Santiago. Farnham, Surrey, and Burlington, VT: Lund Humphries, 2009. www.worldcat.org/title/being-a-pilgrim-art-and-ritual-on-the-medieval-routes-to-santiago/oclc/406108054

Crocker, Richard. “Early Crusade Songs.” In The Holy War, ed. Thomas Patrick Murphy, 78–98. Columbus: Ohio State University Press, 1976. www.worldcat.org/title/holy-war-papers/oclc/2119405

Dunn, Maryjane, and Linda Kay Davidson, eds. The Pilgrimage to Compostela in the Middle Ages: A Book of Essays. Garland Reference Library of the Humanities 1829; Garland Medieval Casebooks 17. New York: Garland, 1996. www.worldcat.org/title/pilgrimage-to-compostela-in-the-middle-ages-a-book-of-essays/oclc/34284271

Fuller, Sarah. “Early Polyphony to 1200.” In The Cambridge Companion to Medieval Music, ed. Mark Everist, 46–66. Cambridge Companions to Music. Cambridge and New York: Cambridge University Press, 2011. www.worldcat.org/title/cambridge-companion-to-medieval-music/oclc/614990227

Gillingham, Bryan, ed. Paris, Bibliothèque nationale, fonds latin 1139 d’après les manuscrits conservés à la Bibliothèque nationale de Paris. Facsimile. Ottawa: Institute of Mediaeval Music, 1987. www.worldcat.org/title/paris-bibliotheque-nationale-fonds-latin-1139/oclc/494032115

Golb, Norman. “The Music of Obadiah the Proselyte and His Conversion.” Journal of Jewish Studies 18 (1967): 43–63. www.worldcat.org/title/music-of-obadiah-the-proselyte-and-his-conversion/oclc/6461979

Hiley, David. “Changes in English Chant Repertories in the Eleventh Century as Reflected in the Winchester Sequences.” In Proceedings of the Battle Conference 1993, ed. Marjorie Chibnall, 137–54. Anglo-Norman Studies 16. Woodbridge, Suffolk, and Rochester, NY: Boydell, 1994.

www.worldcat.org/title/anglo-norman-studies-proceedings-of-the-battle-conference/oclc/11319864

Huglo, Michel. “The Origin of the Monodic Chants in the Codex Calixtinus.” In Essays on Medieval Music in Honor of David G. Hughes, ed. Graeme Boone, 195–205. Isham Library Papers 4. Cambridge, MA: Harvard University Department of Music, 1995. www.worldcat.org/title/origin-of-the-monodic-chants-in-the-codex-calixtinus/oclc/605511249

Jacobus: Codex Calixtinus de la Catedral de Santiago de Compostela. Facsimile. Madrid: Kaydeda Ediciones, 1993. www.worldcat.org/title/jacobus-codex-calixtinus-de-la-catedral-de-santiago-de-compostela/oclc/32000327

Kosto, Adam J. “Hostages during the First Century of the Crusades.” Medieval Encounters: Jewish, Christian and Muslim Culture in Confluence and Dialogue 9, no. 1  (2003): 3–31. www.worldcat.org/title/hostages-during-the-first-century-of-the-crusades/oclc/437935175

Low, Peter. “‘You Who Once Were Far Off’: Enlivening Scripture in the Main Portal at Vézelay.” Art Bulletin 85, no. 3 (September 2003): 469–89. www.jstor.org/stable/3177383

Reilly, Bernard F., ed. Santiago, Saint-Denis, and Saint Peter: The Reception of the Roman Liturgy in León-Castile in 1080. New York: Fordham University Press, 1985. www.worldcat.org/title/santiago-saint-denis-and-saint-peter-the-reception-of-the-roman-liturgy-in-leon-castile-in-1080/oclc/781802914

Rückert, Claudia. “A Reconsideration of the Woman with the Skull on the Puerta de las Platerías of Santiago de Compostela Cathedral.” Gesta 51, no. 2 (2012): 129–46. www.jstor.org/stable/10.1086/670676

Switten, Margaret. “Singing the Second Crusade.” In The Second Crusade and the Cistercians, ed. Michael Gervers, 67–76. New York: St. Martin’s Press, 1992. www.worldcat.org/title/second-crusade-and-the-cistercians/oclc/24141614

Tronzo, William. “The Medieval Object-Enigma, and the Problem of the Capella Palatina in Palermo.” In Late Antique and Medieval Art of the Mediterranean World, ed. Eva R. Hoffman, 367–88. Blackwell Anthologies in Art History. Oxford: Blackwell Publishing, 2007. www.worldcat.org/title/the-medieval-object-enigma-and-the-problem-of-the-capella-palatina-in-palermo/oclc/4842036222

Werckmeister, O. K. “Cluny III and the Pilgrimage to Santiago de Compostela.” Gesta 27, no. 1/2 (1988): 103–12. www.jstor.org/stable/766998

Chapter 7: Poet-Composers in an Age of the Individual

Bain, Jennifer. “Hildegard, Hermannus, and Late Chant Style.” Journal of Music Theory 52, no. 1 (Spring 2008): 123–49. www.jstor.org/stable/40607031

Bell, Thomas J. Peter Abelard after Marriage: The Spiritual Direction of Heloise and Her Nuns through Liturgical Song. Cistercian Studies Series 211. Kalamazoo, MI: Cistercian Publications, 2007. www.worldcat.org/title/peter-abelard-after-marriage-the-spiritual-direction-of-heloise-and-her-nuns-through-liturgical-song/oclc/123029332

Cohen, Adam. “Making Memories in a Medieval Miscellany.” Gesta 48, no. 2 (2009): 135–52. www.jstor.org/stable/29764904

Flynn, William T. “Letters, Liturgy, and Identity: The use of Epithalamica at the Paraclete.” In Sapientia et Eloquentia: Meaning and Function in Liturgical Poetry, Music, Drama, and Biblical Commentary in the Middle Ages, ed. Gunilla Iversen and Nicolas Bell, 301–48. Disputatio 11. Turnhout: Brepols, 2009. www.worldcat.org/title/sapientia-et-eloquentia-meaning-and-function-in-liturgical-poetry-music-drama-and-biblical-commentary-in-the-middle-ages/oclc/198758663

Haines, John. “A Sight-Reading Vielle Player.” In The Sounds and Sights of Performance in Early Music: Essays in Honour of Timothy J. McGee, ed. Maureen Epp and Brian E. Power, 13–26. Farnham, Surrey, and Burlington, VT: Ashgate, 2009. www.worldcat.org/title/sounds-and-sights-of-performance-in-early-music-essays-in-honour-of-timothy-j-mcgee/oclc/306802256

Hildegard of Bingen. Lieder: Faksimile Riesencodex (Hs. 2) der Hessischen Landesbibliothek Wiesbaden, fol. 466–481v, ed. Lorenz Welker, with comm. by Michael Klaper; trans. Lori Kruckenberg. Facsimile. Wiesbaden: L. Reichert, 1998. www.worldcat.org/title/hildegard-von-bingen-lieder-faksimile-riesencodex-hs-2-der-hessischen-landesbibliothek-wiesbaden-fol-466-481v/oclc/716380010

———. Symphonia: A Critical Edition of the Symphonia armonie celestium revelationum [Symphony of the harmony of celestial revelations], 2nd ed., trans. and ed. Barbara Newman, with an essay on the music by Marianne Richert Pfau. Ithaca, NY: Cornell University Press, 1998. www.worldcat.org/title/symphonia-a-critical-edition-of-the-symphonia-armonie-celestium-revelationum-symphony-of-the-harmony-of-celestial-revelations/oclc/38324977

———. Symphonia harmoniae caelestium revelationum: Dendermonde, St.-Pieters & Paulusabdij, Ms. Cod. 9. With an introduction by Peter van Poucke. Facsimile. Peer: Alamire, 1991. www.worldcat.org/title/symphonia-harmoniae-caelestium-revelationum-dendermonde-st-pieters-paulusabdij-mscod9/oclc/223055688

Holsinger, Bruce W. Music, Body, and Desire in Medieval Culture: Hildegard of Bingen to Chaucer. Stanford: Stanford University Press, 2001. www.worldcat.org/title/music-body-and-desire-in-medieval-culture-hildegard-of-bingen-to-chaucer/oclc/45582466

Huglo, Michel. “Les débuts de la polyphonie à Paris: Les premiers organa parisiens” [The beginnings of polyphony in Paris: The first Parisian organa]. In Chant grégorien et musique médiévale, 93–163. Variorum Collected Studies 814. Aldershot, Hants, and Burlington, VT: Ashgate, 2005. www.worldcat.org/title/chant-gregorien-et-musique-medievale/oclc/57638141

Léglu, Catherine. Between Sequence and “Sirventes”: Aspects of Parody in the Troubadour Lyric. Research Monographs in French Studies 8. Oxford: Legenda, 2000. www.worldcat.org/title/between-sequence-and-sirventes-aspects-of-parody-in-the-troubadour-lyric/oclc/46432703

Mayer-Martin, Donna, and Dorothy Keyser. Thematic Catalogue of Troubadour and Trouvère Melodies. Hillsdale, NY: Pendragon Press, 2011. www.worldcat.org/title/thematic-catalogue-of-troubadour-and-trouvere-melodies/oclc/688643172

Norton, Michael Lee, and Amelia Carr. “Liturgical Manuscripts, Liturgical Practice, and the Women of Klosterneuburg.” Traditio: Studies in Ancient and Medieval History, Thought, and Religion 66 (2011): 67–170. www.worldcat.org/title/liturgical-manuscripts-liturgical-practice-and-the-women-of-klosterneuburg/oclc/779961077

Ommundsen, Åslaug. “Books, Scribes, and Sequences in Medieval Norway.” 2 vols. PhD diss., University of Bergen, 2006. www.worldcat.org/title/books-scribes-and-sequences-in-medieval-norway-vol-1-parts-i-ii-method-and-analysis/oclc/836847407

Schmitt, Jean-Claude. The Conversion of Herman the Jew: Autobiography, History, and Fiction in the Twelfth Century, trans. Alex J. Novikoff. Middle Ages series. Philadelphia: University of Pennsylvania Press, 2010. www.worldcat.org/title/conversion-of-herman-the-jew-autobiography-history-and-fiction-in-the-twelfth-century/oclc/491903626

van der Werf, Hendrik, and Gerald A. Bond. The Extant Troubadour Melodies: Transcriptions and Essays for Performers and Scholars. Rochester, NY: Hendrik van der Werf, 1984. www.worldcat.org/title/extant-troubadour-melodies-transcriptions-and-essays-for-performers-and-scholars/oclc/715463170

Waddell, Chrysoganus. “The Reform of the Liturgy from a Renaissance Perspective.” In Renaissance and Renewal in the Twelfth Century, ed. Robert Benson, Giles Constable, and Carol Lanham, 88–110. Toronto: University of Toronto Press, 1991. (first edition published in 1982). www.worldcat.org/title/renaissance-and-renewal-in-the-twelfth-century/oclc/22710126

Chapter 8: The Thirteenth Century: "Then Truly Was the Time of Singing Come"

Alfonso X. Las cantigas de Santa María: Códice rico, Ms. T-1-1, Real biblioteca del Monasterio de San Lorenzo de El Escorial, ed. Laura Fernández Fernández and Juan Carlos Ruiz Souza. Madrid: Patrimonio Nacional; Testimonio Compañía Editorial, 2011. www.worldcat.org/title/cantigas-de-santa-maria-codice-rico-ms-t-1-1-real-biblioteca-del-monasterio-de-san-lorenzo-de-el-escorial/oclc/694829161

Bracken, Paul. “The Myth of the Medieval Minstrel: An Interdisciplinary Approach to Performers and the Chansonnier Repertory.” Viator 33, no. 1 (2002): 100–16. www.worldcat.org/title/the-myth-of-the-medieval-minstrel-an-interdisciplinary-approach-to-the-performers-and-the-chansonnier-repertory/oclc/4815903162

Brewer, Charles E. “The Cantigas d’amigo of Martin Codax in the Context of Medieval Secular Latin Song. La corónica: A Journal of Medieval Spanish Language and Literature 26, no. 2 (1997–98): 17–28. www.worldcat.org/title/coronica/oclc/610327041

Classen, Albrecht. “The Carmina Burana: A Mirror of Latin and Vernacular Literary Traditions from a Cultural-Historical Perspective: Transgression is the Name of the Game.” Neophilologus 94. no. 3 (2010): 477–97. www.worldcat.org/title/the-carmina-burana-a-mirror-of-latin-and-vernacular-literary-traditions-from-a-cultural-historical-perspective-transgression-is-the-name-of-the-game/oclc/645953487

Doss-Quinby, Eglal, and Samuel N. Rosenberg, with Elizabeth Aubrey, eds. The Old French Ballette: Oxford, Bodleian Library, MS Douce 308. Publications romanes et françaises 239. Geneva: Librairie Droz, 2006. www.worldcat.org/title/old-french-ballette-oxford-bodleian-library-ms-douce-308/oclc/66373750

Galvez, Marisa. Songbook: How Lyrics Became Poetry in Medieval Europe. Chicago: University of Chicago Press, 2012. www.worldcat.org/title/songbook-how-lyrics-became-poetry-in-medieval-europe/oclc/756577785

Lipton, Sara. “Where Are the Gothic Jewish Women? On the Non-iconography of the Jewess in the Cantigas de Santa Maria.” Jewish History 22, no. 1–2 (2008): 139–77. www.worldcat.org/title/where-are-the-gothic-jewish-women-on-the-non-iconography-of-the-jewess-in-the-cantigas-de-santa-maria/oclc/4670729775

Lower, Michael. “The Burning at Mont-Aimé: Thibaut of Champagne’s Preparations for the Baron’s Crusade of 1239.” Journal of Medieval History 29 (2003): 95–108. www.worldcat.org/title/journal-of-medieval-history/oclc/2338020

Njus, Jesse. “What Did It Mean to Act in the Middle Ages? Elisabeth of Spalbeek and Imitatio Christi.” Theatre Journal 63, no. 1 (March 2011): 1–21. www.jstor.org/stable/41307502

O’Neill, Mary. Courtly Love Songs of Medieval France: Transmission and Style in the Trouvère Repertoire. Oxford Monographs on Music. Oxford: Oxford University Press, 2006. www.worldcat.org/title/courtly-love-songs-of-medieval-france-transmission-and-style-in-the-trouvere-repertoire/oclc/61704726

O’Sullivan, Daniel E. “Editing Melodic Variance in Trouvère Song.” Textual Cultures 3, no. 2 (Autumn 2008): 54–70. www.jstor.org/stable/30227870

Page, Christopher. “Listening to the Trouvères.” Early Music 25, no. 4 (November 1997): 638–50+653–56+659. www.jstor.org/stable/3128410

Peraino, Judith A. Giving Voice to Love: Song and Self-Expression from the Troubadours to Guilllaume de Machaut. Oxford: Oxford University Press, 2011. www.worldcat.org/title/giving-voice-to-love-song-and-self-expression-from-the-troubadours-to-guillaume-de-machaut/oclc/704121124

Stevens, John E. Words and Music in the Middle Ages: Song, Narrative, Dance, and Drama, 1050–1350. Cambridge Studies in Music. Cambridge and New York: Cambridge University Press, 1986. www.worldcat.org/title/words-and-music-in-the-middle-ages-song-narrative-dance-and-drama-1050-1350/oclc/12724249

Waldbröl, Dirk van Betteray. “The sequence Victime novali zynke ses—A Melodical Restitution in Accordance with the Neumes.” In Hortus troporum: Florilegium in honorem Gunillae Iversen; A Festschrift in Honour of Professor Gunilla Iversen, ed. Alexander Andrée and Erika Kihlmann, 12–20. Acta Universitatis Stockholmiensis: Studia Latina Stockholmiensia, 54. Stockholm: Stockholms Universitet, 2008. www.worldcat.org/title/hortus-troporum-florilegium-in-honorem-gunillae-iversen-a-festschrift-in-honour-of-professor-gunilla-iversen-at-the-occasion-of-her-retirement-as-chair-of-latin-at-the-department-of-classical-languages-stockholm-university/oclc/259447919

Chapter 9: Music and Learning in the Thirteenth Century

Atkinson, Charles M. “Franco of Cologne on the Rhythm of Organum Purum.” Early Music History 9 (1990): 1–26. www.jstor.org/stable/942439

Baumann, Dorothea. “Acoustics in Gothic Cathedrals: Theory and Practical Experience in the Middle Ages.” In Les orgues gothiques: Actes du colloque de Royaumont, 1995, ed. Marcel Pérès, 37–48. Paris: Créaphis, 2001. www.worldcat.org/title/orgues-gothiques-actes-du-colloque-de-royaumont-1995/oclc/52602631

Binski, Paul. “The Heroic Age of Gothic and the Metaphors of Modernism.” >Gesta 52, no. 1 (2013): 3–19. www.jstor.org/stable/10.1086/669683

Bradley, Catherine A. “New Texts for Old Music: Three Early Thirteenth-Century Latin Motets.” Music and Letters 93, no. 2 (2012): 149–69. www.worldcat.org/title/music-and-letters/oclc/610397741

Busse Berger, Anna Maria. “Mnemotechnics and Notre Dame Polyphony.” Journal of Musicology 14, no. 3 (Summer 1996): 263–98. www.jstor.org/stable/764059

Everist, Mark, ed. Music before 1600. Models of Musical Analysis. Oxford: Blackwell, 1992. [This volume includes analyses by Norman Smith of a thirteenth-century motet; by Leo Treitler of lyrical songs; and by Sarah Fuller of a Machaut ballade, “De toutes flors.”] www.worldcat.org/title/music-before-1600/oclc/751110963

Fassler, Margot E. “Music and the Miraculous: Mary in the Mid-Thirteenth-Century Dominican Sequence Repertory.” In Aux origines de la liturgie dominicaine: Le manuscrit Santa Sabina XIV L1., ed. Leonard E. Boyle and Pierre-Marie Gy, 229–78. Paris and Rome: Centre National de la Recherche Scientifique, 2004. www.jstor.org/stable/20141621

Immel, Steven C. “The Vatican Organum Treatise Re-examined.” Early Music History 20 (2001): 121–72. www.jstor.org/stable/853790

Haines, John. “The Footnote Quarrels of the Modal Theory: A Remarkable Episode in the Reception of Medieval Music.” Early Music History 20 (2001): 87–120. http://www.jstor.org/stable/853789

Mannaerts, Pieter. “An Exception to the Rule? The Thirteenth-Century Cistercian Historia for Mary of Oignies.” Journal of the Alamire Foundation 2, no. 2 (2010): 233–69. www.worldcat.org/title/an-exception-to-the-rule-the-thirteenth-century-cistercian-historia-for-mary-of-oignies/oclc/4815906245

Pesce, Dolores. “The Significance of Text in Thirteenth-Century Latin Motets.” Acta musicologica 58, fasc. 1 (January–June1986): 91–117. www.jstor.org/stable/932939

Rankin, Susan. “Thirteenth-Century Notations of Music and Arts of Performance.” In Vom Preis des Fortschritts: Gewinn und Verlust in der Musikgeschichte, ed. Andreas Haug and Andreas Dorschel, 110–41. Vienna and New York: Universal Edition, 2008. www.worldcat.org/title/vom-preis-des-fortschritts-gewinn-und-verlust-in-der-musikgeschichte/oclc/467401145

Roesner, Edward H. “The Emergence of Musica mensurabilis.” In Studies in Medieval Sources and Style: Essays in Honor of Jan LaRue, ed. Eugene K. Wolf and Edward H. Roesner, 41–74. Madison: A-R Editions, 1990. www.worldcat.org/title/studies-in-musical-sources-and-style-essays-in-honor-of-jan-larue/oclc/22489044

Simon, Walter. “Beguines, Liturgy, and Music in the Middle Ages: An Exploration.” In Beghinae in cantu instructae: Music patrimony from Flemish beguinages, ed. Pieter Mannaerts, 15–26. Turnhout: Brepols, 2009. www.worldcat.org/title/beghinae-in-cantu-instructae-musical-patrimony-from-flemish-beguinages-middle-ages-late-18th-c/oclc/603039360

Treitler, Leo. “Regarding Meter and Rhythm in the Ars Antiqua.” Musical Quarterly 65, no. 4 (October 1979): 524–58. www.jstor.org/stable/741571

Whitcomb, Pamela. “Teachers, Booksellers and Taxes: Reinvestigating the Life and Activities of Johannes de Garlandia.” Plainsong and Medieval Music 8, no. 1 (1999): 1–13. www.worldcat.org/title/teachers-booksellers-and-taxes-reinvestigating-the-life-and-activities-of-johannes-de-garlandia/oclc/4668892812

Williams, Kallan. “The Magnus Liber Organi: An Annotated Bibliography.” Music Reference Services Quarterly 11, no. 1 (2008): 37–65. www.worldcat.org/title/the-magnus-liber-organi-an-annotated-bibliography/oclc/438776123

Chapter 10: Music and Narrative in Fourteenth-Century France

Bolduc, Michelle. “Musical Multilingualism in Le Roman de Fauvel (Paris, Bibliothèque nationale, MS fonds français 146).” In Medieval Multilingualism: The Francophone World and Its Neighbours, ed. Christopher Kleinhenz and Keith Busby, 303–23.  Medieval Texts and Cultures of Northern Europe, 20. Turnhout: Brepols, 2010. www.worldcat.org/title/medieval-multilingualism-the-francophone-world-and-its-neighbours/oclc/655675911

Earp, Lawrence Marshburn. Guillaume de Machaut: A Guide to Research. New York: Garland, 1995. www.worldcat.org/title/guillaume-de-machaut-a-guide-to-research/oclc/32853738

Emmerson, K. Richard, and David F. Hult, trans. Antichrist and Judgment Day: The Middle French Jour du jugement, with a note on the music by Keith Glaeske. Early European Drama in Translation 2. Asheville, NC: Pendragon Press, 1998. www.worldcat.org/title/antichrist-and-judgment-day-the-middle-french-jour-du-jugement/oclc/39443405

Enders, Jody. “Music, Delivery, and the Rhetoric of Memory in Guillaume de Machaut’s Remède de Fortune.” PMLA 107, no. 3 (May 1992): 450–64. www.jstor.org/stable/462754

Everist, Mark. “Motets, French Tenors, and the Polyphonic Chanson ca. 1300.” Journal of Musicology 24, no. 3 (Summer 2007): 365–406. www.jstor.org/stable/10.1525/jm.2007.24.3.365

Fuller, Sarah. “Concerning Gendered Discourse in Medieval Music Theory: Was the Semitone ‘Gendered Feminine?’” Music Theory Spectrum 33, no. 1 (Spring 2011): 65–89. www.jstor.org/stable/10.1525/mts.2011.33.1.65

———. “A Phantom Treatise of the Fourteenth Century? The Ars nova.” Journal of Musicology 4, no. 1 (Winter 1985–86): 23–50.
www.jstor.org/stable/763721

Griffith, Karlyn. “Performative Reading and Receiving a Performance of the Jour du jugement in MS Besançon 579.” Comparative Drama 45, no. 2 (2011): 99–126. www.worldcat.org/title/performative-reading-and-receiving-a-performance-of-the-jour-du-jugement-in-ms-besancon-579/oclc/750051791

Günther, Ursula. “Composers at the Court of the Antipopes in Avignon: Research in the Vatican Archives.” Musicology and Archival Research: Colloquium Proceedings,  Brussels, 22–23.4.1993, ed. Barbara Haggh et al., 328–37. Brussels: Archives et Bibliothèques de Belgique, 1994. www.worldcat.org/title/composers-at-the-court-of-the-antipopes-in-avignon-research-in-the-vatican-archives/oclc/605497743

Leach, Elizabeth Eva. Sung Birds: Music, Nature, and Poetry in the Later Middle Ages. Ithaca, NY, and London: Cornell University Press, 2007. www.worldcat.org/title/sung-birds-music-nature-and-poetry-in-the-later-middle-ages/oclc/70668726

Lilley, Keith D. “Cities of God? Medieval Urban Forms and Their Christian Symbolism.” Transactions of the Institute of British Geographers, new ser. 29, no. 3 (September 2004): 296–313. www.jstor.org/stable/3804493

Maw, David. “Redemption and Retrospection in Jacques de Liège’s Concept of Cadentia.” Early Music History 29 (2010): 79–118. www.jstor.org/stable/40800909

Nichols, Stephen G. “Writing the New Middle Ages.” PMLA 120, no. 2 (March 2005): 422–41. www.jstor.org/stable/25486169

Silen, Karen. “Dance in Thirteenth-Century Paris.” In Dance, Spectacle, and the Body Politick (1250–1750), ed. Jennifer Nevile, 67–79. Bloomington: University of Indiana Press, 2008. www.worldcat.org/title/dance-spectacle-and-the-body-politick-1250-1750/oclc/180577252

Stone, Anne. “The Ars Subtilior in Paris.” Musica e storia 10 (December 2002): 373–404. http://www.worldcat.org/title/musica-e-storia/oclc/29228419

Wright, Craig. The Maze and the Warrior: Symbols in Architecture, Theology, and Music. Cambridge, MA: Harvard University Press, 2001. www.worldcat.org/title/maze-and-the-warrior-symbols-in-architecture-theology-and-music/oclc/45499547

Chapter 11: The Fourteenth Century in Italy and England

Abramov-van Rijk, Elena. “The Madrigal Aquil’altera by Jacopo da Bologna and Intertextual Relationships in the Musical Repertory of the Italian Trecento.” Early Music History 28 (2009): 1–37. www.jstor.org/stable/40800895

Bent, Margaret. “Editing Early Music: The Dilemma of Translation.” Early Music 22, no. 3 (August 1994): 373–74+376–92. www.jstor.org/stable/3128085

———. “The Fourteenth-Century Italian Motet.” In L’ars nova italiana del Trecento VI, Atti del congresso internazionale “L’Europa e la musica del Trecento,” Certaldo, Palazzo Pretorio, 19–20–21 Iuglio 1984, ed. Giulio Cattin et al., 85–125. Certaldo: Edizioni Polis, 1992. www.worldcat.org/title/ars-nova-italiana-del-trecento-vi-atti-del-congresso-internazionale-leuropa-e-la-musica-del-trecento-certaldo-palazzo-pretorio-19-20-21-luglio-1984-sotto-il-patrocinio-di-comune-di-certaldo-et-al-edizione-curata-di-giulio-cattin-patrizia-dalla-vecchia/oclc/28246073

Bowers, Roger. “The Musicians and Liturgy of the Lady Chapels of the Monastery Church, c. 1235–1540.” In Westminster Abbey: The Lady Chapel of Henry VII, ed. Tim Tatton-Brown and Richard Mortimer, 33–57. Woodbridge, Suffolk: Boydell Press, 2003. www.worldcat.org/title/westminster-abbey-the-lady-chapel-of-henry-vii/oclc/52386144=

Brand, Benjamin. “The Vigils of Medieval Tuscany.” Plainsong and Medieval Music 17, no. 1 (2008): 23–54. www.worldcat.org/title/the-vigils-of-medieval-tuscany/oclc/4668892898

Brown, George Hardin, and Linda Ehrsam Voigts, eds.  The Study of Medieval Manuscripts of England: Festschrift in Honor of Richard W. Pfaff. Tempe: ACMRS (Arizona Center for Medieval and Renaissance Studies) and Turnhout: Brepols, 2010. www.worldcat.org/title/study-of-medieval-manuscripts-of-england-festschrift-in-honor-of-richard-w-pfaff/oclc/671916610

Brown, Howard Mayer. “Ambivalent Trecento Attitudes toward Music: An Iconographical View.” In Music and Context: Essays for John M. Ward, ed. Anne Dhu McLucas, 79–107. Cambridge, MA: Department of Music, Harvard University, 1985. www.worldcat.org/title/music-and-context-essays-for-john-m-ward/oclc/12081586

———. “Fantasia on a Theme by Boccaccio.” Early Music 5, no. 3 (July 1977): 324–39. www.jstor.org/stable/3126088

Elston, Ashley. “Pain, Plague, and Power in Niccolò Semitecolo’s Reliquary Cupboard for Padua Cathedral.” Gesta 51, no. 2 (2012): 111–27. www.jstor.org/stable/10.1086/670675

Harper, John. “The Vicar Choral in Choir.” In Vicars Choral at English Cathedrals: Cantate Domino; History, Architecture and Archaeology, ed. Richard Hall and David Stocker, 17–22. Oxford: Oxbow Books, 2005. www.worldcat.org/title/vicars-choral-at-english-cathedrals-cantate-domino-history-architecture-and-archaeology/oclc/60832547

Harrison, Frank Llewellyn. Music in Medieval Britain. Studies in the History of Music. London: Routledge and Paul, 1958. www.worldcat.org/title/music-in-medieval-britain/oclc/1348822

Lefferts, Peter M. “Cantilena and Antiphon: Music for the Marian Services in Late Medieval England.” In Studies in Medieval Music: Festschrift for Ernest H. Sanders, ed. Peter M. Lefferts and Brian Seirup. Current Musicology 45–47 (1988­–89): 247–82. www.worldcat.org/title/studies-in-medieval-music-festschrift-for-ernest-h-sanders/oclc/45884562

Long, Michael. “Singing Through the Looking Glass: Child’s Play and Learning in Medieval Italy.” Journal of the American Musicological Society 61, no. 2 (Summer 2008): 253–306. www.jstor.org/stable/10.1525/jams.2008.61.2.253

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Chapter 12: Epilogue: On the Edges

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———. “Thomas Binkley and the Studio der Frühen Musik: Challenging ‘The myth of Westernness.’” Early Music 38, no. 2 (May 2010): 273–80. www.jstor.org/stable/40731355