Anthology of Baroque Music

Web Supplement

                       

Available recordings:

                       

W1

Claudio Monteverdi, “Lamento d’Arianna,” from L’Arianna (1608)

Deutsche Harmonia Mundi 77115‑2‑RG (1984). Lamento d’Arianna. Emma Kirkby, soprano; Consort of Musicke; Anthony Rooley, director

W2  

Giovanni Gabrieli, Sonata con tre violini (1612)

Archiv Produktion 449 180‑2 (1995).  Music for San Rocco. Gabrieli Consort & Players; Paul McCreesh, conductor

W3

Alessandro Grandi, Veniat dilectus meus (1619)

Non-commercial recording from the University of Illinois. Sherezade Panthaki, soprano; Stephen Sieck, tenor; Jung-Il Choi, tenor; Felipe Gasper, bass; Kerry Heimann, organ; Patrizia Metzler, director

W4

Giovanni Francesco Anerio, Vivean felice (1619)

Turnabout TV 34172S (1969). Biblical Oratorios. Elisabeth Speiser and Maria Friesenhausen, sopranos; Theo Altmeyer, tenor; Erich Wenk, bass; Choir of the Kirchenmusikschule, Münster/Westfalen; Rudolf Ewerhart, conductor

W5

Claudio Monteverdi, Gloria a 7 (1641)

Harmonia Mundi France HMC 901718.20 (2000). Claudio Monteverdi, Selva morale e spirituale. 

Cantus Cölln; Concerto Palatino; Konrad Junghänel, director

W6

Nicolas Formé, Ecce tu pulchra es (1638)

Non-commercial recording from the University of Illinois. Sherezade Panthaki, soprano; Daniel Bahr, alto; Stephen Sieck, tenor; Felipe Gasper, bass; Laurie Matheson, soprano; Erik Horak-Hult, alto; Jung-Il Choi, tenor; Kerry Heimann, tenor; Jong-Hoon Han, bass; Patrizia Metzler, director

W7a

Chorale, Als der gütiger Gott

W7b  

Michael Praetorius, Als der gütiger Gott (1619)

Christophorus CHR 77142 (1993). Wie schön leuchtet der Morgenstern: Advents‑ und Weihnachtsmusik. Isaak Ensemble Heidelberg; Frankfurter Renaissance Ensemble

W8a

Chorale, Nun komm der Heiden Heiland

W8b

Samuel Scheidt, Nun komm der Heiden Heiland (1635)

Non-commercial recording from the University of Illinois. Sherezade Panthaki, soprano; Stephen Sieck, tenor; Jong-Hoon Han, bass; Kerry Heimann, organ; Patrizia Metzler, director

W9 

Orlando Gibbons, Peascod Time (ca. 1620)

Non-commercial recording from the University of Illinois. Synthesized recording from MIDI file

W10 

Thomas Tomkins, Fantasy (1648)

MDG Scene MDG 607 0705‑2 (1997). Thomas Tomkins, Complete Keyboard Music, Vol. 3. Bernhard Klapprott, harpsichord and virginal

W11

William Lawes, Britannia triumphans (1638)

W12

Claudio Monteverdi, Iro’s lament from Il ritorno d’Ulisse in patria (1640)

Nuova Era 7103 (1991). Leroy Villanueva, Ulisse; Gloria Banditelli, Penelope; Mark Tucker, Telemaco; with other soloists; Sonatori de la Gioiosa Marca; Alan Curtis, conductor

W13

Claudio Monteverdi, L’incoronazione di Poppea (1642/3), Act I, scenes 1–4

Harmonia Mundi France HMX 2901330.32 (1990). Danielle Borst, Lena Lootens, Martina Bovet, sopranos; Guillemette Laurens, Jennifer Larmore, mezzo‑sopranos; Axel Köhler, Dominique Visse, countertenors; Christoph Homberger, Guy de Mey, tenors; Michael Schopper, bass; supporting soloists; Concerto Vocale; René Jacobs, conductor

W14

Francesco Cavalli, Messa concertata, Kyrie (1656)

Hyperion CDA66970 (1997). Francesco Cavalli, Messa concertata / Canzonas and Motets. Seicento; The Parley of Instruments; Peter Holman, conductor

W15 

Jean Henry d’Anglebert, Suite in D (1689)

Musicaphon : M 56827 (1996). J. Henry d’Anglebert, Sämtliche Cembalowerke / Complete Works for Harpsichord, Vol.1. Barbara Maria Willi, harpsichord

W16

Marin Marais, Suite no.6 from Premier livre des pieces a deux violes (1686)

Astrée ES 9963 (1979/2000). Marin Marais, Pièces à deux violes du premier livre, 1686. Jordi Savall, Christophe Coin, viole da gamba; Ton Koopman, harpsichord; Hopkinson Smith, theorbo

W17 

Henry Du Mont, Quemadmodum desiderat curvus (ca. 1663–73)

Non-commercial recording from the University of Illinois. The Graduate Chorale of the School of Music, University of Illinois, Urbana-Champaign; Chad Peiper, violin; Robin Kearton, violin; Benjamin Hayek, cello, Kerry Heimann, organ; Fred Stolzfus, director

W18

Guillaume Gabriel Nivers, Suite in Tone 2, from his 3. Livre d’orgue des huits tons de l’église (1686)

Calliope CAL 9916 (1972/1989). Noëls et suites au grand siècle. André Isoir, organ

W19

Mateo Romero, Dixit Dominus a 8 (ca. 1625)

Musique en Wallonie CY 3606 (1985).  Musique à la cour d’Espagne / Music at the Spanish Court.  Ensemble vocal et instrumental Currende; Erik van Nevel, conductor

W20 

Juan Bautista Comes, Bien te puedes alegrar (ca. 1615)

Non-commercial recording from the University of Illinois. Sherezade Panthaki, soprano; Laurie Matheson, soprano; Daniel Bahr, Erik Horak-Hult, altos; Stephen Sieck, tenor; Felipe Gasper, bass; Kerry Heimann, organ; Patrizia Metzler, director

W21 

[Juan Hidalgo], Fortunas de Andrómeda y Perseo (1653)

a. “Oye, aguarda.  Mas, ¡ay triste!” Act I

b. Recitative dialogue between Palas and Mercurio, Act I                               

c. “Ya escucho tu acento,” Act II

d. “¿Qué puieres Discordia?” Act II

W22

Sebastián Aguilera de Heredia, Tiento de 4o tono (ca. 1600)

Calcante CAL CD005 (1993). Early Spanish Organ Music. Vol. 1. Calvert Johnson, organ

W23

José Jiménez, Batalla de 6o tono (ca. 1650)

Calcante  CAL CD005 (1993). Early Spanish Organ Music. Vol. 1. Calvert Johnson, organ

W24a

Chorale Nun lasst uns be Leib begraben with the words Ihr lieben Christen, freut euch nun

W24b

Dieterich Buxtehude, Ihr lieben Christen, freut euch nun, BuxWV 51 (ca. 1680)

Erato  ECD 75375‑‑ECD 75377 (1988). Buxtehude Cantates. Barbara Schlick, Monika Frimmer, sopranos; Michael Chance, René Jacobs, altos; Christophe Pregardien, tenor; Peter Kooy, bass; Hannover Knabenchor; Amsterdam Baroque Orchestra; Ton Koopman, conductor

W25 

Heinrich Ignaz Franz Biber?, Plaudite tympana (1682)

Archiv Produktion  457 611‑2 (1997). Missa salisburgensis. Musica Antiqua Köln; Reinhard Goebel, conductor; Gabrieli Consort & Players; Paul McCreesh, conductor

W26 

Pavel Josef Vejvanovský, Sonata vespertina ab. 8 (1665)

Supraphon SU 3535‑2 231 (2001). Vesperae Sancti Venceslai. Musica Florea, Marek Stryncl, conductor

W27

Alessandro Stradella, Sonata di viole (ca. 1675)

Philips 9502 074 (1982). Alessandro Stradella, Sinfonie e Sonate. Capella Clementina; Helmut Müller‑Brühl, conductor

W28

John Blow, God Spake Sometime in Visions (1685)

Hyperion CDA67286 (2001). The Coronation of King George II. Choir of the King’s Consort, King’s Consort; Robert King, conductor

W29

Henry Purcell, Sound the Trumpet, Beat the Drum (1687)

Hyperion CDS44031/8 (1992). The Complete Odes and Welcome Songs of Henry Purcell (1659–1695).  John Mark Ainsley, Tessa Bonner, James Bowman, Michael Chance, Rogers Covey‑Crump, Charles Daniels, Robert Evans, Gillian Fisher, Michael George, Susan Hamilton, Simon Keenlyside, Jonathan Kenny, Rufus Müller, Mark Padmore, Charles Pott, Mary Seers, Nigel Short, Evelyn Tubb, Andrew Tusa; The King’s Consort; Choir of New College, Oxford; Robert King, director

W30

Henry Purcell, Fantasia, Z 737 (1680)

Simax PSC 1124 (1995). Henry Purcell, Complete Fantasies for Viols. Phantasm; with Joanna Levine, Susanna Pell, Catherine Finnis, viols

W31

Henry Purcell, Sonata XII, from Sonnata’s of III Parts (1683)

Harmonia Mundi HMX 2901438.39 (1993). Henry Purcell, Ten Sonatas in Four Parts / Twelve Sonatas of Three Parts. London Baroque: Ingid Seifert, Richard Gwilt, violins; Charles Medlam, viola da gamba; Richard Egarr, harpsichord

W32

John Blow, Ground in E-La-Mi (ca. 1680). 

Musicaphon M 56852 (2001). John Blow, Complete Works for Keyboard Instrument / Sämtliche Werke für Tasteninstrumente. John Payne, harpsichord

W33 

William Croft, Voluntary in D (ca. 1710)

Non-commercial recording from the University of Illinois. Synthesized recording from MIDI file

W34

Pelham Humfrey, Pietro Reggio, and Matthew Locke, “Masque of Devils” from The Tempest (1674)

Bard Records BDCD12000 (2000). Matthew Locke, et al., The Tempest. Folger Consort; with Ellen Hargis, soprano and William Sharp, baritone

W35

Carlo Francesco Pollarolo, Gl’inganni felici (1696), Act I, scenes 6–8

W36

Marc-Antoine Charpentier, Médée (1693), Act IV, scenes 3–7

Harmonia Mundi HMC 2901139.41 (1984). Jill Feldman, Angès Mellon, Sophie Boulin, sopranos; Gilles Ragon, tenor; Philippe Cantor, baritone; Jacques Bona, bass; other soloists; Choeurs et orchestre Les Arts florissants; William Christie, conductor

W37

Louis-Nicolas Clérambault, Orphée (1710)

Harmonia Mundi France HMC 901329 (1990). Louis-Nicolas Clérambault, Cantates. Noémi Rime, soprano; Jean‑Paul Fouchécourt, tenor; Nicolas Rivenq, bass; Les Arts Florissants; William Christie, harpsichord and conductor

W38

Michel-Richard de Lalande, Te Deum laudamus (1684–1726)

Hyperion CDA67325 (2001). Music for the Sun King. Carolyn Sampson, Natalie Clifton‑Griffith, sopranos; James Gilchrist, countertenor; Paul Agnew, tenor; Jonathan Gunthorpe, baritone; James Mustard, bass; Ex Cathedra; Jeffrey Skidmore, conductor

W39

François Couperin, Troiséme Leçons à deux voix (ca. 1713–17)

Harmonia Mundi France HMA 1951133 (1982/2004). Leçons de ténèbres. Concerto vocale: René Jacobs, Vincent Darras, countertenors; Max van Egmond, bass; William Christie, organ, clavecin; Wieland Kuijken, Jaap ter Linden, bass violins; Konrad Junghänel, theorbo; René Jacobs, director

W40

François Couperin, Messe à l’usage ordinaire des paroisses (1690)

Ligia digital Lidi 0104089‑00 (2000). François Couperin, Messe à l’usage des paroisses pour les festes solemnelles. Olivier Vernet, organ

W41  

Jean-Philippe Rameau, Suite in A Minor, from the Premier livre de piéces de clavecin (1706)

Harmonia Mundi Ibèrica HMI 987039—HMI 987040 (2002). Jean-Philippe Rameau, Intégrale des pièces de clavecin. Michal Kiener, harpsichord

W42

François Couperin, “Les Fastes de la grande et ancienne Mxnxstrxndxsx,” from his Second livre de pièces de clavecin (1716)

Erato 4509‑96364‑2 (1993). François Couperin, Second livre de pièces de clavecin. Olivier Baumont, harpsichord

W43 

Georg Philipp Telemann, Gott der Hoffnung erfülle euch (1717)

Georgsmarienhütte cpo 999 139‑2 (1992). The Apocryphal Bach Cantatas. Johanna Koslowsky, soprano; Kai Wessel, alto; Harry Geraerts, tenor; Phillip Langshaw, bass; Alsfelder Vokalensemble; Steintor Barock Bremen; Wolfgang Helbich, conductor

W44

Johann Mattheson, Die heilsame Geburth und Menschwerdung unsers Herrn und Heylandes Jesu Christi (1715)

W45

Johann Sebastian Bach, Ein feste Burg ist unser Gott, BWV 80 (1716–1740)

Harmonia mundi HMX 2908135 (1990). Johann Sebastian Bach, Magnificat, BWV 243 / Cantate BWV 80. Barbara Schlick, Agnès Mellon, sopranos; Gérard Lesne, alto; Howard Cook, tenor; Peter Kooy, bass; Chapelle royale; Collegium vocale; Philippe Herreweghe, conductor