Interpreting the Visual Evidence

Displays of Imperial Culture: The Paris Exposition of 1889

The French colonies were very visible during the celebration of the centenary of the French Revolution in 1889. In that year, the French government organized a "Universal Exposition" in the capital that attracted over six million visitors to a broad esplanade covered with exhibitions of French industry and culture, including the newly constructed Eiffel Tower, a symbol of modern French engineering.

At the base of the Eiffel Tower (image A), a colonial pavilion placed objects from France's overseas empire on display, and a collection of temporary architectural exhibits placed reproductions of buildings from French colonies in Asia and Africa as well as samples of architecture from other parts of the world. The photographs here show a reproduction of a Cairo Street (image B); the Pagoda of Angkor, modeled after the Khmer temples of Angkor Wat in Cambodia, a French protectorate (image C); and examples of West African dwellings (image D). The Cairo Street was the second most popular tourist destination at the fair, after the Eiffel Tower. It contained twenty-five shops and restaurants, and employed dozens of Egyptian servers, shopkeepers, and artisans who had been brought to Paris to add authenticity to the exhibit. Other people on display in the colonial pavilion included Senegalese villagers and a Vietnamese theater troupe.

Images

Questions for Analysis

1.
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What vision of history and social progress is celebrated in this linkage between France’s colonial holdings and the industrial power on display in the Eiffel Tower?
2.
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What might account for the popularity of the Cairo Street exhibit among the public?
3.
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Why was it so important for the exposition to place people from European colonies on display for a French audience?

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