 |
List Alphabetically
A-C | D-I | J-R | S-Z
List Chronological
Middle Ages | 16th Century | 17th Century |
Restoration and the 18th Century
Romantic Period | Victorian Age | 20th Century
Alphabetical Listing: A-C
*
indicates a selection that is not included in the online archive due to
copyright
| Author |
Title |
First Appeared |
Dropped
After |
Added
Again |
Last Appeared |
| Addison,
Joseph |
Party Patches (Spectator 81) |
1 |
|
|
3 |
| Addison:
The Trial of the Petticoat (Tatler 116) |
4 |
|
|
4 |
| Sir Roger at Church (Spectator 112) |
1 |
|
|
7 |
| Sir Roger at the Assizes (Spectator 122) |
1 |
|
|
7 |
| |
The
Anglo-Saxon Chronicle |
7 |
|
|
7 |
| [Henry of Poitou
Becomes Abbot of Peterborough] |
7 |
|
|
7 |
| [The reign of King
Stephen] |
7 |
|
|
7 |
| Anonymous
Lyrics (16th Century) |
[The Queen Champion Retires] |
4 |
|
|
4 |
| The Shepherd's Consort |
4 |
|
|
4 |
| Weep You No More, Sad Fountains |
1 |
|
|
4 |
| Back and Side Go Bare, Go Bare |
1 |
|
|
6 |
| In Praise of a Contented Mind |
4 |
|
|
6 |
| Though Amaryllis Dance in Green |
1 |
|
|
6 |
| Come Away, Come, Sweet Love |
1 |
|
|
6 |
| Thule, the Period of Cosmography |
1 |
|
|
6 |
| Madrigal (My love in her attire doth show her wit) |
1 |
|
|
6 |
| The Silver Swan |
1 |
|
|
6 |
| Constant Penelope Sends to Thee |
5 |
|
|
6 |
| |
The Art of Romantic Poetry |
1 |
|
|
2 |
| Comments on the Poetic Process |
1 |
|
|
2 |
| Edward J. Trelawny: Shelley on
Composing |
1 |
|
|
2 |
| Thomas Medwin: Shelley's
Self-Hypercriticism |
1 |
|
|
2 |
| Richard Woodhouse: Keats on
Composing |
1 |
|
|
2 |
| |
Apocalyptic Expectations by Preachers and Poets |
7 |
|
|
7 |
| Elhanan Winchester: From The Three Woe-Trumpets |
7 |
|
|
7 |
Joseph Priestly: From The Present State of Europe
Compared with Antient Prophecies |
7 |
|
|
7 |
| William Blake: From The French Revolution |
7 |
|
|
7 |
| William Blake: From America: A Prophecy |
7 |
|
|
7 |
| Robert Southey: From Joan of Arc: An Epic Poem |
7 |
|
|
7 |
| William Wordsworth: From Descriptive Sketches |
7 |
|
|
7 |
| William Wordsworth: From The Excursion |
7 |
|
|
7 |
| Samuel Taylor Coleridge: From Religious Musings |
7 |
|
|
7 |
Percy Bysshe Shelley: From Queen Mab: A Philosophical
Poem |
7 |
|
|
7 |
| Arnold,
Matthew |
The Function of a Professor |
1 |
|
|
1 |
| Stanzas in Memory of the Author Obermann |
2 |
|
|
2 |
| Longing |
1 |
|
|
3 |
| Requiescat |
1 |
|
|
3 |
| Palladium |
1 |
|
|
3 |
| The Better Part |
1 |
|
|
3 |
| Shakespeare |
1 |
|
|
4 |
| In Harmony with Nature |
2 |
|
|
4 |
| Philomela |
1 |
|
|
4 |
| The Forsaken Merman |
1 |
|
|
7 |
| Thyrsis |
1 |
|
|
7 |
| To a Friend |
1 |
|
|
6 |
| Growing Old |
1 |
|
|
6 |
| Maurice de GuŽrin |
1 |
|
|
6 |
| [A Definition of
Poetry] |
1 |
|
|
6 |
| Wordsworth |
1 |
|
|
6 |
| Ascham,
Roger |
Toxophilus |
7 |
|
|
7 |
| The Second Book of
the School of Shooting |
7 |
|
|
7 |
| Comeliness |
7 |
|
|
7 |
| Aubrey,
John |
The Life of Thomas Hobbes |
3 |
|
|
3 |
| Auden,
W. H. |
*In Father's Footsteps |
1 |
|
|
1 |
| *As He Is |
1 |
|
|
1 |
| *Voltaire at Ferney |
1 |
|
|
1 |
| *Look, Stranger |
1 |
|
|
2 |
| *Lullaby |
1 |
|
|
2 |
| *This Lunar Beauty |
1 |
|
|
4 |
| Aytoun,
Sir Robert |
To an Inconstant One |
3 |
|
|
3 |
| Barbauld,
Anna Letitia |
Life |
6 |
|
|
7 |
| Beaumont,
Francis (and John Fletcher) |
Songs
from The Faithful Shepherdess |
4 |
|
|
4 |
| Sing His Praises
That Doth Keep |
4 |
|
|
4 |
| Shepherds All and
Maidens Fair |
4 |
|
|
4 |
| Do Not Fear to Put
Thy Feet |
4 |
|
|
4 |
| See the Day Begins
to Break |
4 |
|
|
4 |
| Songs
from Valentinian |
4 |
|
|
4 |
| Care-Charming Sleep |
4 |
|
|
4 |
| Hear, Ye Ladies
That Despise |
4 |
|
|
4 |
| Lovers, Rejoice! |
4 |
|
|
4 |
| Songs
from The Masque of the Inner Temple and Gray's Inn |
4 |
|
|
4 |
| Shake Off Your
Heavy Trance |
4 |
|
|
4 |
| Ye Should Stay
Longer If We Durst |
4 |
|
|
4 |
| Peace and Silence
Be the Guide |
4 |
|
|
4 |
| The Passionate Man's Song |
4 |
|
|
4 |
| Beckett,
Samuel |
*Molloy |
3 |
|
|
3 |
| *Overture: A and C |
3 |
|
|
3 |
| *Molloy and his
Sucking-Stones |
3 |
|
|
3 |
| *Moran in Service |
3 |
|
|
3 |
| *Two Encounters |
3 |
|
|
3 |
| *Moran Back from
Service |
3 |
|
|
3 |
| *The
Unnamable |
3 |
|
|
3 |
| *Into the Silence |
3 |
|
|
3 |
| Beddoes,
Thomas Lovell |
*Threnody |
1 |
|
|
1 |
| *Song of the Stygian Naiades |
2 |
|
|
3 |
| *Song ("How many times do I love thee, dear?Ó) |
1 |
|
|
6 |
| *Song ("Old Adam, the carrion crowÓ) |
1 |
|
|
6 |
| *The Phantom Wooer |
1 |
|
|
6 |
| *Translating
the Bible |
The
New English Bible |
3 |
|
|
4 |
| Blake,
William |
On Another's Sorrow |
1 |
|
|
1 |
| *Song ("How Sweet I Roamed from Field to FieldÓ) |
1 |
|
|
4 |
| *America: A Prophecy |
4 |
4 |
7 |
7 |
| *Morning |
1 |
|
|
4 |
| *To Spring |
5 |
|
|
7 |
| *To Autumn |
5 |
|
|
7 |
| *To the Evening Star |
1 |
|
|
7 |
| *For
the Sexes: The Gates of Paradise |
2 |
|
|
3 |
| *Prologue: Mutual
Forgiveness of Each Vice |
2 |
|
|
2 |
| *Epilogue: To the
Accuser who is the God of this World |
2 |
|
|
2 |
| *Jerusalem:
The Emanation of the Giant Albion |
3 |
|
|
3 |
| *Invocation |
3 |
|
|
3 |
| *The Waking of
Albion |
3 |
|
|
3 |
| *Songs
of Innocence |
4 |
|
|
NA |
| *Laughing Song |
4 |
|
|
5 |
| *Song ("Memory, hither comeÓ) |
1 |
|
|
6 |
| *Mad Song |
2 |
|
|
6 |
| *To the Muses |
1 |
|
|
6 |
| *The Mental Traveller |
3 |
|
|
6 |
| *Blake's Notebook |
1 |
|
|
NA |
| *Morning |
1 |
|
|
4 |
| *from The French
Revolution |
|
|
|
7 |
| |
The
Book of Homilies |
1 |
|
|
2 |
| An Exhortation
Concerning Good Order and Obedience to Rulers and Magistrates |
1 |
|
|
2 |
| Bowles,
William Lisle |
Languid, and Sad, and Slow |
3 |
|
|
3 |
| To the River Itchin, Near Winton |
4 |
|
|
4 |
| |
The Brome Play of Abraham and Isaac |
3 |
|
|
3 |
| Brooke,
Rupert |
Heaven |
1 |
|
|
3 |
| Browne,
William |
On the Countess Dowager of Pembroke |
1 |
|
|
1 |
| Browning,
Elizabeth Barrett |
A Year's Spinning |
5 |
|
|
6 |
| A Musical Instrument |
5 |
|
|
6 |
| Browning,
Robert |
Up at a Villa—Down in the City |
1 |
|
|
2 |
| In a Year |
1 |
|
|
2 |
| Respectability |
1 |
|
|
4 |
| Confessions |
1 |
|
|
4 |
| The Householder |
1 |
|
|
4 |
| The Laboratory |
2 |
|
|
7 |
| Home Thoughts, from Abroad |
1 |
|
|
7 |
| Home Thoughts, from the Sea |
1 |
|
|
7 |
| Meeting at Night |
1 |
|
|
7 |
| Parting at Morning |
1 |
|
|
7 |
| Memorabilia |
1 |
|
|
7 |
| The Last Ride Together |
1 |
|
|
7 |
| Two in the Campagna |
1 |
|
|
7 |
| Prospice |
1 |
|
|
7 |
| Women and Roses |
1 |
|
|
6 |
| A Woman's Last Word |
5 |
|
|
6 |
| Youth and Art |
1 |
|
|
6 |
| D”s Aliter Visum; or, Le Byron de Nos Jours |
4 |
|
|
6 |
| Apparent Failure |
1 |
|
|
6 |
| House |
2 |
|
|
6 |
| To Edward FitzGerald |
1 |
|
|
6 |
| Epilogue to Asolando |
1 |
|
|
6 |
| Bunyan,
John |
From Grace Abounding to the Chief of Sinners |
3 |
|
|
7 |
| Burns,
Robert |
Corn Rigs an' Barley Rigs |
1 |
|
|
3 |
| Willie Brewed a Peck o' Maut |
1 |
|
|
3 |
| Ae fond kiss |
1 |
|
|
6 |
| Ye flowery banks |
1 |
|
|
6 |
| Burton,
Robert |
Exercise Rectified |
3 |
|
|
4 |
| Byron,
Lord (George Gordon) |
*Don
Juan |
1 |
|
|
6 |
| *Canto XVI |
3 |
|
|
6 |
| *Stanzas to the Po |
2 |
|
|
4 |
| *When a man hath no freedom to fight for at home |
1 |
|
|
7 |
| *Childe
Harold's Pilgrimage |
1 |
|
|
NA |
| *Canto IV |
1 |
|
|
7 |
| *[Venice] |
1 |
|
|
7 |
| *["Farewell!Ó] |
1 |
|
|
7 |
| *To Leigh Hunt (Sept.– Oct. 30, 1815) |
6 |
|
|
7 |
| *To John Cam Hobhouse and Douglas Kinnaird (Jan. 19,
1819) |
6 |
|
|
7 |
| *The Vision of Judgment |
2 |
|
|
6 |
| Campion,
Thomas |
When Thou Must Home to Shades of Underground |
1 |
|
|
4 |
| What If a Day |
1 |
|
|
4 |
| Never Love Unless You Can |
1 |
|
|
4 |
| Rose-cheeked Laura |
1 |
|
|
7 |
| Think'st Thou to Seduce Me Then |
3 |
|
|
7 |
| Carew,
Thomas |
Song ("Give me more love, or more disdainÓ) |
1 |
|
|
1 |
| The Second Rapture |
3 |
|
|
3 |
| Disdain Returned |
1 |
|
|
4 |
| Song ("Persuasions to EnjoyÓ) |
5 |
|
|
5 |
| Carlyle,
Thomas |
Carlyle's
Portraits of His Contemporaries |
1 |
|
|
7 |
| American
Visitors: Daniel Webster at 57 |
1 |
|
|
1 |
| American
Visitors: Ralph Waldo Emerson at 30 |
1 |
|
|
1 |
| American
Visitors: Emerson at 44 |
1 |
|
|
1 |
| American
Visitors: Bronson Alcott at 42 |
1 |
|
|
1 |
| Royalty: King
William IV at 69 |
1 |
|
|
4 |
| Royalty: Queen
Victoria at Eighteen |
1 |
|
|
7 |
| English
Men of Letters: Charles Lamb at 56 |
1 |
|
|
6 |
| English
Men of Letters: Samuel Taylor Coleridge at Fifty-three |
1 |
|
|
7 |
| English
Men of Letters: William Wordsworth in His Seventies |
1 |
|
|
7 |
| English
Men of Letters: Alfred Tennyson at Thirty-four |
1 |
|
|
7 |
| English Men of Letters William Makepeace Thackeray at 42 |
1 |
|
|
6 |
| from Characteristics |
1 |
|
|
6 |
| Sartor
Resartus |
1 |
|
|
NA |
| Natural
Supernaturalism |
2 |
|
|
7 |
| The
French Revolution |
1 |
|
|
7 |
| September in Paris |
1 |
|
|
7 |
| Place de la
Revolution |
1 |
|
|
7 |
| From Cause and Effect |
1 |
|
|
7 |
| Carroll,
Lewis |
Anagrammatic Sonnet |
1 |
|
|
1 |
| The Walrus and the Carpenter |
1 |
|
|
7 |
| The
Hunting of the Snark |
1 |
|
|
7 |
| The Baker's Tale |
1 |
|
|
7 |
| Cary,
Elizabeth |
The
Tragedy of Mariam, the Fair Queen of Jewry |
7 |
|
|
NA |
| From Act 1 |
7 |
|
|
7 |
| From Act 5 |
7 |
|
|
7 |
| Caxton,
William |
Preface to Morte Darthur |
2 |
|
|
4 |
| Chaucer,
Geoffrey |
The
Parson's Tale |
1 |
|
|
NA |
| [The Remedy Against
Lechery] |
1 |
|
|
2 |
| The
Merchant's Tale |
3 |
|
|
3 |
| The Introduction |
3 |
|
|
3 |
| The Tale |
3 |
|
|
3 |
| The Epilogue |
3 |
|
|
3 |
| The Parliament of Fowls |
3 |
|
|
3 |
| The
Franklin's Tale |
3 |
|
|
3 |
| The Introduction |
3 |
|
|
3 |
| The Prologue |
3 |
|
|
3 |
| The Tale |
3 |
|
|
3 |
| To Rosamond |
1 |
|
|
4 |
| The
Tale of Sir Thopas |
5 |
|
|
5 |
| The Introduction |
5 |
|
|
5 |
| The Tale |
5 |
|
|
5 |
| |
*The Chester Play of Noah's Flood |
6 |
|
|
7 |
| Clare,
John |
*Little Trotty Wagtail |
1 |
|
|
1 |
| Cleveland,
John |
Mark Antony |
3 |
|
|
3 |
| Clough,
Arthur Hugh |
Epi-strauss-ium |
1 |
|
|
7 |
| The Latest Decalogue |
1 |
|
|
7 |
| Say Not the Struggle Nought Availeth |
1 |
|
|
7 |
| Dipsychus |
1 |
|
|
6 |
| I Dreamt a Dream |
1 |
|
|
6 |
| "There Is No God,Ó
the Wicked Saith |
1 |
|
|
6 |
| Coleridge,
Samuel Taylor |
What is Life? |
2 |
|
|
3 |
| Limbo |
3 |
|
|
3 |
| Phantom or Fact |
1 |
|
|
3 |
| Sonnet to the River Otter |
3 |
|
|
4 |
| On Donne's Poetry |
1 |
|
|
7 |
| Work Without Hope |
1 |
|
|
7 |
| Recollections of Love |
1 |
|
|
6 |
| Constancy to an Ideal Object |
1 |
|
|
6 |
| Biographia
Literaria |
1 |
|
|
NA |
| Chapter 1 |
1 |
|
|
7 |
| "The
discipline of his taste at schoolÓ |
1 |
|
|
7 |
| "Bowles's
sonnetsÓ |
1 |
|
|
7 |
| "Comparison between the poets before and since Mr. PopeÓ |
1 |
|
|
7 |
| Collins,
William |
Ode Written in the Beginning of the Year 1746 |
1 |
|
|
7 |
| Ode on the Death of Mr. Thomson |
4 |
|
|
7 |
| Congreve,
William |
Love for Love |
4 |
|
|
4 |
| Conrad,
Joseph |
*The Secret Sharer |
1 |
|
|
4 |
| Youth |
2 |
|
|
2 |
| The Brute |
4 |
|
|
4 |
| Cooper,
Anthony Ashley (First Earl of Shaftesbury) |
A
Character of Henry Hastings |
1 |
|
|
1 |
| Coppe,
Abiezer |
from A Fiery Flying Roll |
6 |
|
|
7 |
| Corbet,
Richard |
A Proper New Ballad |
1 |
|
|
2 |
| Cowley,
Abraham |
The Wish |
1 |
|
|
3 |
| To Mr. Hobbes |
3 |
|
|
4 |
| To the Royal Society |
4 |
|
|
4 |
| Crabbe,
George |
The
Borough |
4 |
|
|
4 |
| Letter XXII, The
Poor of the Borough: Peter Grimes |
4 |
|
|
4 |
| Crashaw,
Richard |
Luke 7 |
1 |
|
|
4 |
| On Our Crucified Lord, Naked and Bloody |
1 |
|
|
6 |
|
 |